Love Come Down Halloween at The Arch Gallery is imminent, and in the run up to the event we've been counting down the days by posting one of our current favourite tracks each day.

You may have seen our posts on Facebook and Twitter, but we've also decided to put them all in one handy place right here - 5 tracks to get you in the mood for this evening.

1. Change 'The Glow Of Love' (12" Extended Version)

I'm really into Change at the moment - they're so underrated. This track is one of Luther Vandross's first lead vocals (he'd previously been a backing vocalist for Chic, Diana Ross AND Bowie, amongst others), and boy does he deliver. This is some smooth shit.

2. Deep & Disco 'Feel The Rhythm' 

Razor-N-Tape is an awesome label out of Brooklyn, who have delivered a host of great edits and original tracks since they started up back in 2012. Their slogan is: "Cut in Brooklyn. Good for dance", which says it all really. This track is an edit of Chic's 1977 track 'Strike Up The Band', and we love it. But the A-Side to the 12" 'So Tight' is also well worth a listen. It was tough to choose between them.

3. Masters At Work feat. India 'When You Touch Me' (MAW Remix)

Masters At Work's most famous song also features India's vocals, but I recently discovered this one and like it just as much. Straight up, this is disco/house crossover at it's best.

4. Teddy Pendergrass 'You Can't Hide From Yourself' (Dimitri From Paris' Super Disco Blend)

Another incredibly smooth male vocalist in the vein of Luther Vandross, this Teddy Pendergrass track is one of those songs you'll probably know as soon as you hear it. Those horn stabs have been sampled so many times! The ever-reliable Dimitri From Paris brings it up to date.

5. Inner Life 'Ain't No Mountain High Enough' (JM 4AM Mix)

A (perhaps THE) Paradise Garage classic - Inner Life's take on the soul standard 'Ain't No Mountain High Enough' (a song that, nearly 40 years after its first release, was heavily borrowed from by Amy Winehouse) is for me the definitive version.  Controversially, I'm preferring the John Morales mix to Larry Levan's perhaps more famous version here - mainly because it's slightly more suitable for modern dance floors. You will hear this on Halloween.

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